![]() ![]() Keast stopped at an inn to ask for directions. And the writers even have the luxury of a very last scene once again very surprising, which could almost open, again, to a completely different series in the event of season 2.With snow now falling heavily, and having lost the path and circled back on themselves, they were soon behind schedule. In such a way that the viewer almost has the feeling of watching another series when the fourth and last episode begins.Īlready a very successful thriller against a backdrop of serial murders and revenge, The Disappeared of the Black Forest then mutates into a more political story and more than ever in tune with the times by seizing, in an unexpected and extremely strong way, on the subject of violence against women.Ī very nice idea that gives rise to a final apotheosis that goes almost too fast, so many things are completed in the space of barely 52 minutes. The third episode, which first appears to serve as a conclusion to the investigation, in fact completely reshuffles the cards and relaunches the story in a whole new direction. And ends up making female characters the centerpiece of the plot. Sublimated by the magnificent natural settings that give the series its name, TF1’s new fiction event, dark and weighty as desired, owes a lot to its original concept, which has the gift of surprising us to the end. But also in playmates such as Astrid Whettnall, Natalia Dontcheva or the young Victoria Eber, very fair.īecause Les Disparus de la Forêt Noire is above all a series of women, which offers its actresses very beautiful roles which are revealed as the story unfolds.Īlessandro Clemenza / Banijay Studios France – Fiction’ Air / TF1 ![]() Indeed, even if we quickly understand that this affair of the 12 bodies found in a mass grave in the heart of the Black Forest is intimately linked to the car accident which upset the life of judge Camille Hartmann a year earlier and made him lose his memory, the screenwriters are smart enough to accumulate false leads and play with our detective soul.įar from her character of Hélène Bach in Balthazar or the sunny heroines she was able to embody in many comedies (romantic or not), Hélène de Fougerolles reveals herself to be touchingly truthful in the skin of Camille, this woman bruised and damaged by an accident of which she is unable to reconstruct the ins and outs.Įxcellent in this much darker and more enigmatic register, Hélène de Fougerolles finds worthy partners in Grégory Fitoussi and Tchéky Karyo, who make up an efficient and rather atypical cop duo, from which emanates a welcome touch of humor in this ocean of darkness. The jury of the Cognac Polar Festival was not mistaken, since it awarded it the Grand Prize for the 2022 series last October.Ī real thriller with drawers, The Disappeared of the Black Forest multiplies the revelations over its episodes and never really takes us where it awaits. And has a few surprises in store for them. Created by Stéphane Pannetier and Julien Vanlerenberghe, to whom we owe the superb Infiniti, and produced by Carole Della Valle and Nagui, this fast-paced mini-series is a real success, which should delight fans of the genre. ![]()
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